Set Designer
I first came across the department of set design during student projects for Filmakademie Wien. More than ten years later, I still find it thrilling and inspiring to talk about characters using colors, materials and objects, and to keep on creating new spaces.
I carry out all parts of the set design process with diligence, proactively and with great love for details. Finding and constructing highly specific props holds a special joy. My art history studies form a solid base of knowledge I can rely on.
Projects (selection)
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Muttersprache (2023)
© Nicole Stiegler
Mother- and daughterhood in the midst of cluttered, meticulously furnished images. The daughter's reduced apartment, cool colors and metal, and the mother's apartment, a hodgepodge from decades, warm colors and steaming pots on the stove.
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Drowning in the Sea (2022)
© Eve Roth
© Eve Roth
Love and death, heartbreak and illusion. The music video thrives on the contrast between dark, red-black images and light pink fantasy images – and tons of roses.
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Refuge (2019)
© Sarah Logan Hofstein
A reflection on the displaced, then and now. The film takes places in a minimal color palette and wintry outdoor shots, which contrast with the magnificent Stadttempel at Schwedenplatz.
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L'Oasis (2018)
© Max Hammel
© Max Hammel
The film raises the question of the balance between order and chaos. It is set entirely in a garden and is characterized by a strict color scheme between red and blue, which reflects the tension between the active and the passive character.
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Jungwild (2017)
© Bernhard Wenger
© Bernhard Wenger
Michael wants to deviate from the path set by his father. His room and motocross bike are a rebellious contrast to the classic Austrian symphony in beige and wood, in which his parents move.
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Bier und Calippo (2017)
© Paul Ploberger
© Paul Ploberger
Being young, great beginnings, or great responsibilities? The tour bus and the studio replica of a service station toilet allow plenty of personality and a quiet narrative in a small space.